Collared Aracari

It’s been a while since I posted on this blog, mainly due to the nice spring weather and migration time for birds! Consequently we’ve been buzzing about locally and my painting has remained, neglected rather, on my drawing board. It has been difficult to find an hour or two to settle into the painting and, as a consequence, I think this one suffered from that a bit. I think that I rushed the end a little, I’m not over fond of the background or the branches, but backgrounds seem to be my bugbear.

To wind back a little, Mark had taken a photo of a Collared Aracari, a member of the Toucan family, in the garden of Rancho Naturalista in Costa Rica, in November 2010 and I’d recently dug it out. These are colourful birds, with some subtle plumage details, as well as the rather comical bill, and I thought it would make a nice challenge. I have also neglected the watercolour pencils rather, recently, and I wanted to give them a go. Therefore Collared Aracari, in watercolour pencil on watercolour paper it would be.

Now, you may recall that my super pencil sharpener had collapsed on me, much to my distress. Mark took a look and, with the help of a big pair of pliers, had tightened that silly little red nut sufficiently that it works again. I get a nice sharp point, most of the time, but the ‘autostop’ function seems to have stopped working altogether, so the sharp point is generally at the sacrifice of an awful lot of pencil! I see this as a stopgap only, and am still considering what I should get to replace it. In the meantime, I’m keeping the pliers handy and trying not to sharpen things to much, in case I end up with drawers full of stumps.

The bird went quite well, I think. These are pretty shaggy-looking birds and I felt that the feather detailing worked out pretty well, using the Supracolor and Albrecht Durer pencils. I was pretty pleased with the breast feathering, in particular, with it’s shades of yellow, orange, red and black. The bill colouration took to the watercolour treatment, since the addition of water smoothed out any abrupt colour changes. It’s also surprising just how many other shades (like blue, violet and malachite green) can be seen in an ostensibly black feather. In the end it was a looser depiction rather than an completely accurate representation-something I perhaps need to work on more since I am prone to the ‘technical illustration’ style, apparently. It’s still pretty true to life, though, as my resident critic would definitely let me know if it wasn’t!

I had more issues with the branches and the background. I decided to use some of the Derwent Watercolours for this, since I haven’t used them for some time. They worked well but I definitely noticed a difference in the feel of the pencils. These used to be my favourites, but they have definitely been superceded by the Supracolors and Albrecht Durers now. Backgrounds are still an issue; I tried yet again to get some sort of bokeh with the watercolours, but it didn’t really come off. I do think it’s a bit better than previous attempts, mainly because I gave up before I’d filled too much of the page.

I’m not sure why it ended up with quite such a look of surprise, but it is quite endearing!

‘Collared Aracari’, 9 x 12 inch watercolour pencil (C d’A Supracolor, F-C Albrecht Durer, Derwent Watercolour) on 140 lb watercolour paper (Canson XL).

Just a reminder that next weekend sees the art exhibition at Clark’s Harbour Legion Hall, and I will be exhibiting (and selling) some of my pieces. The exhibition is on Friday 08 June from 6-9 pm and on Saturday 09 June from 10 am to 4 pm, and costs only $2 to enter. Over 10 local artists will be exhibiting, and I’m looking forwards to seeing what they have been doing!

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Sandra Dennis

Now I'm in early retirement from my previous career as a pharmaceutical scientist, I've taken to creating art pieces. I specialise in wildlife art, especially birds.

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